Have all the female characters in the film and television series been "demonized"?

Tencent Entertainment 2021-08-09 11:33:02 阅读数:57

本文一共[544]字,预计阅读时长:1分钟~
female characters film television series

In recent years, good-looking urban dramas have emerged one after another .

existing 《 I'm fine in a foreign country 》 and 《 North frog and south pole 》 Has been controversial , With idol elements 《 Heartbeat source plan 》、《 You are my glory 》 Waiting for the play to be popular .

And before that 《 Ode to joy 》、《 It's only thirty 》、《 Are both good 》 The ratings are as high as the word of mouth .

But after comparing the past and present urban dramas, uncle oxygen gradually found , Behind the plot , In fact, the female characters in film and television plays have always been “ enchantment ” The state of .

Demonization refers to the exaggerated expression of female groups , And the embodiment of the times and related stereotypes .

In the past, most of the female characters in film and television dramas were small white rabbits with low dust :

《 Meteor garden 》 Chinese fir food is popular because it annoys Daoming temple Being ostracized ,《 My lucky star 》 Zhongxia star is her boyfriend Take the blame and go to jail ,《 Smile best 》 Zhongcheng Xiaoshi Cursed Love for no more than three months :

Now the female characters in the play are standing in the cloud :

《 Ode to joy 》 in Overseas returnees with superior IQ Andy ,《 It's only thirty 》 in Life and work are leaders Gu Jia ,《 I'm fine in a foreign country 》 in Million deposit female executives Ji Nanjia :

After comparison, you will find , Now movies and TV plays The setting of female roles is very different from before , It is said that film and television plays are a reflection of the times , But Uncle oxygen has some doubts :

Is the social status of women really as high as in the play in real society ?

Is it too obvious that film and television plays please women ?

The transformation of women's roles in film and television plays can't be changed “ Demonized ”

Throughout the female images of film and television dramas from the past to the present , In addition to making changes to be close to society , After a deep study, you will find , Almost all of the characters are set for women “ enchantment ” The product of .

1. In ancient idol plays “ enchantment ” Female type : Harmless, innocent and incompetent little white rabbit

《 The dowry of heaven 》 Tao Aiqing, the woman who lived in the farm since childhood ( harmless ),《 Love magic hair master 》 The replaced working sister Xiaobei ( innocent ), They are all typical heroines of ancient idol dramas .

Their faces are smooth without edges and corners , The eyes are watery. It seems that you can cry in the next second , The nose is round and fleshy , Lips are often thick , All the dull features of the face tell of their harmlessness .

And can “ 3 without ” A perfect collection of film and television drama women , I have to mention the once popular 《 Practical joke kiss 》, This can be said to be one of the most well-known classic works in ancient film and television dramas .

Yuan Xiangqin A round face , Round eyes , Round lip shape , The face is round and smooth, with almost no edges and corners , In terms of facial features, it can be said to be “ 3 without ” The representative of the hostess .

In the play , For the impact of natural disasters on families, the author and screenwriter create lovable characters A sense of innocence , And incompetence is also true .

Jiang Zhishu is A class , Yuan Xiangqin is F class , Before graduation, I found that the credits were miscalculated , Jiang Zhishu became a doctor , Yuan Xiangqin follows Jiang Zhishu's footsteps, but she can't even be a nurse .

But this is yuan Xiangqin , I even won Pei Ziyu, a woman with high human beauty and intelligence quotient .

Compare the stills of two people , Compared with yuan Xiangqin , Pei Ziyu's face feels sharp , The facial features are also more exquisite , In the play, she is also a great beauty with high IQ and EQ , However, the person holding the big female leader has become a foil in the play , And can be easily by yuan Xiangqin “ pure ” beat .

In contrast, the life goal of the hostess yuan Xiangqin can always be summarized in one sentence :

Marry Jiang Zhishu .

This can even be an excuse for her to do a lot of things badly .

Today, more than ten years later , When people go to see the play again , There was a 360 degree turn in the evaluation of the characters in the play .

This phenomenon is reflected in the evaluation of many ancient idol dramas , This is largely because women have begun to have a sense of Independence , Yes, silly white sweet “ 3 without ” Girls began to reject .

The awakening of female consciousness is also affecting the transformation of female roles in film and television dramas , But they are still “ enchantment ”.

2. Modern film and television plays are “ enchantment ” The female role of : The workplace has a big golden finger boss

The opening role of women seems to be a must for every play now .

From left to right :

《 I'm fine in a foreign country 》 Ji Nanjia ,《 Ode to joy 》 Andy ,《 The first half of my life 》 Tang Jing

They all have neat short hair , Make up is exquisite , Thin and thin , It's hard not to think that this is the writer's stereotype of women's workplace roles .

In the poster , Want to know who is the big man in the play , Looking for refined short hair , The one with a cold expression , Almost find a quasi .

It seems that professional women in the new era must have a pair of Unmarried, infertile, not old, not ugly, delicate, selfish and even masculine face To compete with the domineering presidents in the past series .

Real woman boss vs The female boss in the play

Compared with the popular heroines in idol dramas in the past, it is not difficult to find , Now the more popular female role has been separated from the old aesthetic image .

Blunt facial features are replaced by sharpness , From the pitiful eyes to the present, we should have spirituality , The character also abandoned simplicity and replaced it with Black belly doesn't matter at all, but please be smart enough , Strong enough , Independent enough .

In today's film and television dramas , Women's identity in the workplace is dominated by men to have independent consciousness , Then later, even hang male characters , This change makes women in the awakening of self-consciousness call “ That's great ”.

however , The mainstream of such roles in film and television plays is inseparable from the relationship between market economy and current aesthetic changes .

The picture comes from Qilu Talent Network

With the development of society and times , Chinese women began to liberate from the family , Women's aesthetics also changes with the changes of the times and environment .

When women gradually find that the little white rabbit type is easy to be eliminated in the workplace , It's just It's hard to be willing to bring yourself into a silly white sweet human role , But I hope I can become the invincible strong woman , Even exaggeration doesn't matter , This is also the reason why the role of strong women in urban dramas is more popular now .

The transition from infancy to maturity , In terms of external facial features, the biggest change is after facial bone development , The outline changes from rounded to more angular and sharp .

from 《 Practical joke kiss 》 The contrast photos of the heroine Lin Yichen can also be seen , Even when you are young, facial features are dull , With age , The facial contour will still change due to bone development .

Structurally , With age , The Golden Triangle degree of the face will be appropriately reduced , The face changes from a sense of innocence to a sense of wisdom , The expression of age and mature wisdom on the face has also become the reason for the stereotype of working women in film and television dramas .

Although the status and aesthetics of women have changed accordingly with the times , But judging from the separation of the characters in the play , Although women's self-consciousness has begun to awaken , In reality, women's social status is not as beautified or “ enchantment ”.

in real life , Women, whether in the workplace or in life , The barriers are still high compared with discrimination and men .

Statistical chart of male and female workplace data of a recruitment website

Uncle oxygen couldn't help asking , At a time when the status of women is still not optimistic , Why build so many great characters on the screen ?

The profit seeking nature of the commercial market determines the setting of women's roles in the play

The awakening of female consciousness makes women no longer satisfied with the female role of little white rabbit , Women in the workplace want to show their strength at work , There is something to be done , No longer want to be dependent on men as in the past , The commercial market sees business opportunities in the pursuit of profits , So they created the characters they thought women wanted to see .

such as 《 Are both good 》 in Unfortunately, I met a noble man in the workplace in my childhood Senior executive Su Mingyu ,《 It's only thirty 》 in As a cabinet sister in Shanghai floating, she was promoted and raised, and came into contact with the upper class society Wang Manni ,《 Ode to joy 》 in Native families have problems, but they are invincible at work Fan shengmei .

From weak to invincible , This is the demonized working women who are opposite to the little white rabbit in the past .

They have established a virtual and idealized workplace for the audience from the perspective of capital , And often emphasize the abilities people want in life 、 Wealth and power can be obtained after a period of hard work .

And in reality , It takes a long time for people to work , Even the results are uncertain , The excessive exaggeration and idealization of TV plays make the audience involuntarily bring themselves into the plot , Even bring yourself into the setting of a promising protagonist .

This design method brings the audience a kind of fast motion that can paralyze themselves , Let the audience immerse themselves in the setting of the success of the characters in the play , Hide in the world of the plot to escape the real world .

But what is overlooked is , Many of those so-called big female TV dramas are “ Pseudo big lady ”.

There are always open character settings when the character grows , Even if blackened, there are noble people to help , And it is often the male role that plays a decisive role at the most critical moment .

As mentioned above 《 Are both good 》 in The noble man Su Mingyu met was a man ,《 Ode to joy 》 in The man who exposed Andy's weakness was a man ,《 I really love you 》 Medium Women has the final say that they can even work for themselves .

《 It's only thirty 》 The role of older Shanghai drifters in , The screenwriter tried to play up the difficulty of becoming an independent woman , A multi gold man is arranged on one side of the backhand , And the appearance of this multi gold man slowly promotes the plot of female characters , It became the reason for her to make many decisions later .

those When people set up the plot of hanging golden fingers, it is often because “ Shuang ” And being ignored , But it can't stand aftertaste and deliberation .

Because the contrast between the virtual plot and the reality is too big .

Modern drama is the type most likely to resonate and bring in by the audience , Therefore, many viewers even forget that it is false before bringing themselves into the audience , It is I think the characters in the play can , I'm sure I can , If not, it's your problem .

therefore The more you bring the plot into reality , The more it makes women in the deep real world feel depressed and anxious , Even doubt their own ability and value .

( On ) The ordinary people in the play

( Next ) Real ordinary people

It is not surprising that the media cater to the tastes and needs of the public , The female role setting in ancient idol plays is also the product of meeting people's aesthetic and needs at that time .

Just as some girls like Cinderella's counter attack and hitting her face white and rich , It shows that he is eager to have a rich and powerful prince charming like Cinderella one day .

The plot of the play The probability of realization in reality is very small , So those girls will look for plays with similar plots to comfort their hearts , This not only shows the audience's inner desire , It also shows what is lacking in reality .

conversely , The profit seeking nature of business urges the deflection and change of the direction of women's roles in the play , Today's elite female roles emerge one after another , Doesn't it just mean that what is missing in reality is the female social status shown in the play ?

therefore , Even if you think No matter how true the plot is, don't be fooled by the so-called contemporary women in film and television dramas , That doesn't reflect the real existence in reality .

Don't forget , Now? The main audience and consumption force of film and television plays are women , Under the influence of commercial profit seeking , What we can see is actually what they want us to see .

What we see with our own eyes in reality , That's what we're really in .

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